Detroit Art Press

house on the hill

from 110.00
House+on+the+Hill.jpg
house on the hill black frame .png
house on the hill white frame .png

house on the hill

from 110.00

Archival pigment print on fine art paper edition size 50 

image size 20 x 20   with one  inch white boarder over all size of paper 22 x 22

framed size 28 x 28 

The framing option  includes a 1 inch black or white  wood frame with UV-glass, two inch archival white mat,foam core backing and ready to hang hardware.

Each print is hand signed and is accompanied with a certificate of authenticity 

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Archival pigment print on fine art paper edition size 50 

image size 20 x 20   with one  inch white boarder over all size of paper 22 x 22

framed size 28 x 28 

The framing option  includes a 1 inch black or white  wood frame with UV-glass, two inch archival white mat,foam core backing and ready to hang hardware.

Each print is hand signed and is accompanied with a certificate of authenticity 

How I Work
I know a piece is done when I feel the right energy, that is, the right "charge" being conveyed.
I like haikus and I try to achieve the same simple beauty of haikus in my paintings.
I work messy and sporadic at first; however, I am very particular when finishing a piece. I obsess over every line, its thickness, its simplicity, its curvature. I am also particular about the balance of my forms. I am inspired by scientific line-drawings found in books, and by mathematical illustrations or graphs. I see beauty in such things.
Conversely, I am also drawn to organic forms, such as ovals and circles and seedy-like sprays of dots. A grassy, reedy pond feels like math to me somehow.
In addition, I enjoy the mysteries of the sea, space, and forests.
I don't need a whole lot to tell my story, Minimalism, ahhh.
The Calm.
My work is about energy, little mysteries of nature, rhythm, mark-making, and of course, lines. I love the line.