Detroit Art Press

observatory

from 120.00
Observatory-1.jpg
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observatory

from 120.00

Archival pigment print on fine art paper edition size 50 

image size 20 x 30  with one  inch white boarder over all size of paper 22 x 32

framed size 26 x 36 

The framing option  includes a 1 inch black or white  wood frame with UV-glass, two inch archival white mat,foam core backing and ready to hang hardware.

Each print is hand signed and is accompanied with a certificate of authenticity 

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Archival pigment print on fine art paper edition size 50 

image size 20 x 30  with one  inch white boarder over all size of paper 22 x 32

framed size 26 x 36 

The framing option  includes a 1 inch black or white  wood frame with UV-glass, two inch archival white mat,foam core backing and ready to hang hardware.

Each print is hand signed and is accompanied with a certificate of authenticity 

How I Work
I know a piece is done when I feel the right energy, that is, the right "charge" being conveyed.
I like haikus and I try to achieve the same simple beauty of haikus in my paintings.
I work messy and sporadic at first; however, I am very particular when finishing a piece. I obsess over every line, its thickness, its simplicity, its curvature. I am also particular about the balance of my forms. I am inspired by scientific line-drawings found in books, and by mathematical illustrations or graphs. I see beauty in such things.
Conversely, I am also drawn to organic forms, such as ovals and circles and seedy-like sprays of dots. A grassy, reedy pond feels like math to me somehow.
In addition, I enjoy the mysteries of the sea, space, and forests.
I don't need a whole lot to tell my story, Minimalism, ahhh.
The Calm.
My work is about energy, little mysteries of nature, rhythm, mark-making, and of course, lines. I love the line.